Guastalla

Guastalla

A town with very ancient roots, Guastalla retains relevant archaeological traces of its Etruscan and Roman past. It once was a longobard stronghold installed in a strategic crossing point of the river to secure their military control over the Po. Guastalla already appears in medieval documents of the IX century and it is known that, during Countess Matilda of Canossa’s ruling years, it held a well-established castle and court.
And yet, Guastalla will reach its highest splendour under the authority of the Gonzaga dynasty, during the Renaissance period, thanks to its innovative city plan, its palaces and churches, ant the presence of renowned artists and poets. Back then Guastalla was enclosed within a star-shaped massive fortified wall, which at its longest would count seven bastions. This golden age came to an end in the 18th century, as this line of the Gonzaga family extinguished.

Its fascinating historic centre showcases the splendid Renaissance bronze statue of Ferrante Gonzaga, the Ducal Palace (Palazzo Ducale), the Duomo, the Santuario della Madonna della Porta (a sanctuary dedicated to Saint Mary), the Teatro Comunale (the Theatre) named after Ruggero Ruggeri, and the 19th-century Biblioteca Maldotti (a library).

A few miles from the city centre, located right on the South bank of the River Po, lies Lido Po, within a vibrant floodplain areas equipped for toruistic activities, from bike paths to sailing experiences to hiking trails surrounded by nature, all provided with welcoming, cozy refreshment points.

Places of interest (Nearby places of interest)

GUASTALLA Chiesa S.Francesco

Church of San Francesco

   

The architectural complex of the Chiesa di San Francesco (Church of Saint Francis), now deconsecrated, dates back to the early 1600s. It consists of the main church, built on a basilical longitudinal plan, and the bell tower to the west.

The interior is arranged around a single central nave with a vaulted ceiling supported by corbels, flanked on either side by three lateral chapels and ending in a semicircular apse to the south. Stylistically, the church reflects the transition from Mannerism to the Baroque: its façade conveys a sense of unfinished rigor, while the interior reveals a rich decorative stucco program, completed in the second half of the 18th century.

After restoration work following the 2012 earthquakes, the former church of San Francesco has taken on a new life as an exhibition hall.